This FULL FRAME Anamorphic Lens ROCKS!

Are you looking to take your filmmaking to the next level with high-quality anamorphic lenses? Look no further because this full-frame anamorphic lens is the solution you’ve been searching for. Anamorphic lenses are a crucial tool for achieving a cinematic look in your films, and this particular lens is a game-changer. With its ability to capture stunning widescreen images and unique flares, this lens will elevate the visual quality of your work. Whether you’re a professional filmmaker or a passionate enthusiast, this full-frame anamorphic lens is guaranteed to rock your world. Let’s dive into the incredible capabilities and benefits of this must-have lens.

This FULL FRAME Anamorphic Lens ROCKS!

This is the brand new suray 50 millimeter anamorphic lens which has a d squeeze of 1.6 times opens up to t 2.9 is way more compact than a lot of other anamorphic lenses on the market and can be had for less than fifteen hundred dollars and in this video we’ll talk About image quality features and why this lens is now my new favorite option for full frame cameras.

What Makes This Lens Special?

Well, there’s two words that you rarely see together especially on an affordable lens and that is full frame and anamorphic. It’s a really tricky thing to do but su ray has figured out a way to make a lens that is somewhat compact and you can actually use on full full-frame cameras. We’ll talk about the squeeze factor of this lens here in a second but this is one of Four lenses that su ray is planning to release for full-frame cameras like this a7 s3 so we’ve got the 50 millimeter t2.9 as well as a 35 millimeter 75 millimeter and 100 millimeter that are also in the works.

Lens Mount Options

When asking sue ray about these future lenses, they told me that the aperture range should be the same as well as other features and size and focus rings and whatnot. We’ll get into all of that here in a second but let’s talk about lens mount options for these lenses. There are four options available to choose from all of these Mounts are mirrorless you can’t use them with canon ef cameras and things like that these mounts include the canon rf the sony e-mount nikon z mount and finally the panasonic l-mount. At this time you are not able to swap out mounts or change them su ray was kind enough to Send along this 50 millimeter in an e mount so i could use it with my sony a7s iii and all the footage you’ll be seeing from this lens was shot with this combination.

The Squeeze Factor

When it comes to anamorphic, there are several Different popular squeeze factors including 1.33 which is what suray used on their older lenses meant for crop sensors and then all the way up to two times anamorphic which is primarily what you see used in hollywood and on big feature films and that gives you an insanely wide aspect ratio as well as giving you nice tall skinny oval bulka this anamorphic lens sits at 1.6 which i think is really really nice it does several things for us first it keeps the size of the lens down if this was a 2x lens most likely it would be significantly larger secondly if you’re Using it with a camera like the a7s where it shoots in a 16 by 9 aspect ratio a 2x would traditionally make this insanely long wide skinny image but since we’re shooting at 1.6 you’re still getting a usable aspect ratio so if you pick this lens up and film with it in a 16×9 standard kind of video format this is what you’ll see when you pull your footage into edit you can take that footage and de-squeeze it by 1.6 times and you’ll get something like this from there you could scale the image to create any aspect ratio you need for Your project if you’re using something like a sony i’d recommend getting a monitor with a d squeeze option available i used the atomos shinobi and was able to use the 1.5 times d squeeze to be able to see my image and make my composition choices and another huge Benefit to anamorphic lenses as opposed to just adding those letter boxes is that we’re gaining field of view on the sides or horizontally on our image so here’s a shot i filmed with a just standard rokinon 50 millimeter lens or a spherical lens and then here is the same Shot with this full frame anamorphic 50 millimeter as you can see there’s a lot more information and image on the left and right so if you use this lens you will have a 50 millimeter field of view when it comes to the vertical part of your image but horizontally you’re going To be at most around 30 millimeters and of course this depends on your final aspect ratio.

The Build Quality

Let’s talk about the build quality of this lens which is very impressive. We have a fully metal body, really nice action on these geared focus rings so you don’t have to add anything to the lens it’s Good to go out of the box. There’s an 82 millimeter filter thread on the front of the lens and it does not rotate or move in and out when you change your focus which is obviously really important. On the bottom of the lens there is a built-in tripod mount that is removable so you could use that to stiffen up your entire rigging setup if desired overall size is really really good considering that again we’re rocking a full frame anamorphic lens which is just crazy to me.

… (continued)

Full Frame Anamorphic Lens FAQ

What is a full frame anamorphic lens?

A full frame anamorphic lens is a type of lens designed to capture images on a full frame sensor with a wider aspect ratio than traditional lenses. This results in a unique and cinematic look to the footage.

Why does this lens rock?

This lens rocks because it provides a stunning cinematic look with beautiful lens flares, bokeh, and a unique wide aspect ratio. It enhances the visual appeal of any footage and adds a professional touch to your work.

What makes this lens stand out from other lenses?

Unlike standard lenses, this full frame anamorphic lens offers a wider aspect ratio and creates a unique cinematic look. It also produces characteristic lens flares and bokeh that are highly sought after in the filmmaking industry.

How do I use a full frame anamorphic lens?

Using a full frame anamorphic lens involves attaching it to your camera body and adjusting the focus and aperture settings to achieve the desired look. It’s important to familiarize yourself with the unique characteristics of anamorphic lenses to get the best results.

I hope you find useful my article This FULL FRAME Anamorphic Lens ROCKS!, I also recommend you to read my other posts in my blog at this link.

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