cinematography
Spherical vs Anamorphic Lenses Which is ACTUALLY better?
Are you a videography enthusiast or a professional filmmaker looking to invest in high-quality lenses? If so, you’ve likely come across the age-old debate of spherical vs. anamorphic lenses. Both options offer distinct advantages and create unique visual effects, making the decision-making process a challenging one. In this blog, we will delve into the pros and cons of spherical and anamorphic lenses, exploring their key differences and ultimately determining which one is truly superior. Whether you’re aiming for a classic, wide-angle look or seeking the unparalleled cinematic presence of anamorphic lenses, we’ll provide the information you need to make an informed decision and elevate your visual storytelling to the next level.
Spherical vs Anamorphic Lenses: Which is ACTUALLY better?
Introduction
Today we’re going to compare a ton of different lenses, some of my favorite Cinema glass right now, to see the real difference between spherical and anamorphic lenses. We’re going to compare spherical lenses to 1.33 squeeze anamorphic lenses and the big boys, two time squeeze anamorphic lenses.
Spherical Lenses
For spherical lenses, we have the Diesio Vespids prime lenses, which are some of the most affordable full-frame cine glass that you can get right now. They are small, light, well built, and produce great images.
Image Quality
The Diesio Vespids prime lenses have a T 2.1 aperture. The colors are really nice and the bokeh is circular. Although the bokeh gets a little wonky towards the edges, it doesn’t bother me much. These lenses also produce interesting flares, which is a feature lacking in many modern lenses.
Affordability
The Diesio Vespids primes are priced at around $1400, making them a great option for those who can’t afford the more expensive lenses.
Anamorphic Lenses
Stepping into the anamorphic lenses, we have the incredible Viltrux lenses. These are full frame 1.33 squeeze anamorphic lenses, known for their unique Stormtrooper-style design. The 1.33 squeeze gives us some anamorphic characteristics and a versatile aspect ratio.
Image Quality
The Viltrux anamorphic lenses are sharp even when wide open at T2. They are larger in size compared to typical mirrorless camera lenses but offer great performance. The bokeh is also impressive, especially towards the center. The minimum focus distance is 2.7 feet for most lenses, although it could be better.
Color Rendition and Flares
The color rendition of the Viltrux lenses skews a bit towards green, but it is still nice. The blue flares add a unique touch, and they don’t flare out easily, providing more control over the flares.
Affordability
The Viltrux lenses are priced at around $2800 per lens, making them more affordable than the high-end options.
The Big Boys: Two Time Squeeze Anamorphic Lenses
Hollywood still loves the two-time squeeze anamorphic lenses, and that’s where the Atlas Orion anamorphics come in. These lenses are a beast in terms of build quality and performance. However, they are expensive and larger in size compared to other lenses.
Image Quality
The two-time squeeze of the Atlas Orion anamorphics offers a super wide field of view and all the anamorphic characteristics we love. However, the size and weight can be a drawback for some.
Affordability
The Atlas Orion anamorphics cost around $10,000 per lens, making them a high-end option.
Conclusion
In conclusion, it really depends on individual preferences and budget when choosing between spherical and anamorphic lenses. The Diesio Vespids primes offer great image quality at an affordable price. The Viltrux anamorphic lenses provide unique anamorphic characteristics with good performance. The Atlas Orion anamorphics are high-end lenses with excellent image quality, but at a higher cost. It’s important to consider your specific needs and budget when deciding which type of lens is better for you.
Remember, whether you choose spherical or anamorphic lenses, capturing great footage ultimately depends on your skill as a filmmaker.
Frequently Asked Questions
1. What are spherical lenses?
Spherical lenses are the most common type of lenses used in photography and filmmaking. They have a curved, spherical shape across their entire surface. These lenses produce images with a natural, traditional look.
2. What are anamorphic lenses?
Anamorphic lenses are specialized lenses that squeeze the image horizontally, allowing more information to be captured on the film or sensor. This creates a widescreen aspect ratio and a unique cinematic look with horizontal flares and oval bokeh.
3. Which lens is better?
Choosing between spherical and anamorphic lenses depends on the intended use and personal preferences. Each lens type has its own advantages and characteristics.
4. Advantages of spherical lenses:
- Universally compatible with all cameras.
- More affordable and widely available.
- Natural look without any distortion.
- Easier to handle and focus.
5. Advantages of anamorphic lenses:
- Cinematic widescreen aspect ratio.
- Distinctive horizontal flares and oval bokeh.
- Increased resolution and sharpness when desqueezed.
- Ability to achieve a “filmic” or vintage look.
6. Can anamorphic lenses be used on any camera?
Anamorphic lenses can be used on most cameras with the necessary lens adapters or modifications. However, it is essential to ensure proper compatibility and avoid potential mechanical or optical issues.
7. Which lens should I choose for my project?
The choice between spherical and anamorphic lenses depends on your artistic vision, creative goals, and budget. Consider the specific requirements of your project and the visual style you wish to achieve. Test different lenses and consult with experts before making a decision.
8. Are anamorphic lenses more expensive?
Generally, anamorphic lenses tend to be more expensive than spherical lenses due to their specialized design and the unique aesthetic they offer. However, prices can vary greatly depending on the brand, condition, and specific lens model.
9. Can I simulate anamorphic effects with post-production?
Yes, it is possible to simulate anamorphic effects during post-production using editing software. However, these digital effects may not achieve the same level of authenticity and quality as shooting with an actual anamorphic lens.
10. How do I maintain and care for lenses?
Proper lens care is essential for preserving their performance and longevity. Always keep lenses clean, use lens caps when not in use, handle them carefully to avoid scratches, and store them in a dry and dust-free environment. Refer to the manufacturer’s guidelines for specific maintenance instructions.
I hope you find useful my article Spherical vs Anamorphic Lenses Which is ACTUALLY better?, I also recommend you to read my other posts in my blog at this link.
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