Most UNDERRATED Cinematic Lens You Will LOVE!

Are you tired of using the same old lenses for your cinematic projects? Do you want to add a unique touch to your films but don’t know where to start? Look no further because we have the solution for you! In this blog post, we will introduce you to the most underrated cinematic lens that you will absolutely love. Often overlooked by filmmakers, this lens offers a distinct aesthetic quality and unparalleled versatility that will elevate your storytelling to new heights. Whether you’re a professional filmmaker or an aspiring enthusiast, this lens is a must-have in your arsenal. Get ready to discover a game-changer in cinematic lenses!

Most UNDERRATED Cinematic Lens You Will LOVE!

Introduction

Welcome to today’s article where we will be discussing the most underrated cinematic lens that you will absolutely love. Many people dismiss this lens due to its 1.33 times anamorphic squeeze, but let’s break down why that shouldn’t deter you from using it.

The Differences between 1.33 and 2 Times Anamorphic Squeeze

Before diving into the image quality, let’s address the misconceptions about the anamorphic squeeze. Many believe that 1.33 times isn’t a “real” anamorphic squeeze, but professional anamorphic lenses like the Hawk V light series prove otherwise. In fact, the cinematographer of the acclaimed film “JoJo Rabbit” shot using a 1.33 times anamorphic lens and loved the look it achieved.

The Importance of Sensor Size

Now, let’s discuss the role of sensor size in determining the ideal anamorphic squeeze. A 2 times squeeze may perform well on a 3×2 sensor, but for Sony cameras that primarily shoot in 16×9 or 17 by9, a 1.33 times squeeze is more suitable. When using a 1.33 times squeeze on a 16×9 sensor, you achieve a 2.36 to1 ratio, which aligns perfectly with the cinemascope ratio of 2.35 to1. This means you don’t have to crop any sides, resulting in higher overall resolution.

However, if you have a standard 16×9 timeline, using a 1.33 times squeeze will require cutting off more on the left and right sides. To maintain resolution, it’s recommended to use a higher-resolution camera like a 6K, 8K, or 12K model. Otherwise, cutting off the sides with a regular 4K sensor may negatively impact the overall sharpness of the footage.

The Image Quality and Bokeh

Now that we understand the technical aspects, let’s delve into the image quality. While anamorphic lenses, especially those with 1.8 and 2 times squeeze, are known for producing oval-shaped bokeh, the 1.33 times squeeze lens surprises with its oval-shaped bokeh as well. The VROX lens series showcased incredible bokeh with a cat-eye-like shape, which some may prefer and others may not. Ultimately, this aspect is subjective.

When comparing footage shot with the 75mm and 50mm lenses at a t2.0 aperture, we can observe similar bokeh quality. The 35mm lens, on the other hand, introduces more distortion to the image, particularly pincushion distortion where the image bends inward. While some may dislike this effect, it’s worth noting that it has been utilized in many Hollywood films.

Conclusion

Don’t overlook the underrated 1.33 times anamorphic squeeze lens in your cinematography endeavors. It offers unique qualities and benefits, especially for cameras with a 16×9 or 17 by9 sensor. Embrace its oval-shaped bokeh and consider the artistic potential of distortion. Give this lens a chance, and you’ll be amazed by the results it can achieve.

Q: What is a cinematic lens?
A: A cinematic lens refers to a specific type of camera lens that is used in filmmaking to achieve a unique, artistic, and visually appealing look for the recorded footage.

Q: What makes a lens underrated?
A: A lens is considered underrated when it doesn’t receive as much recognition or popularity as other lenses, despite its exceptional qualities and capabilities.

Q: Why should I consider using an underrated cinematic lens?
A: Using an underrated cinematic lens allows you to differentiate your footage from others. It can provide a distinct aesthetic and help you stand out creatively, offering a fresh and often unexpected perspective to your visual storytelling.

Q: Which is the most underrated cinematic lens?
A: The most underrated cinematic lens that you’re going to love is the XYZ UltraWide 35mm. Its exceptional image quality, versatile focal length, and unique distortion characteristics make it an ideal choice for capturing epic landscapes, immersive shots, and stunning wide-angle scenes.

Q: What are the key features of the XYZ UltraWide 35mm lens?
A: The XYZ UltraWide 35mm lens boasts a wide-angle focal length of 35mm, offering a generous field of view and allowing for expansive shots with minimal distortion. Its large aperture provides excellent low-light performance, enabling you to shoot in challenging lighting conditions with remarkable clarity and reduced noise. The lens also features a robust construction, ensuring durability and longevity even in demanding shooting environments.

Q: How can I benefit from using the XYZ UltraWide 35mm lens?
A: By using the XYZ UltraWide 35mm lens, you can elevate the cinematic quality of your footage, creating a more immersive and visually captivating experience for your viewers. It enables you to capture breathtaking wide-angle shots, emphasizing the scale and depth of your subjects. The lens’s unique distortion characteristics can add a touch of artistic flair to your visuals, making them visually engaging and memorable.

Q: Where can I purchase the XYZ UltraWide 35mm lens?
A: You can purchase the XYZ UltraWide 35mm lens directly from our official website or from authorized resellers. Visit our website for more information on availability and pricing.

I hope you find useful my article Most UNDERRATED Cinematic Lens You Will LOVE!, I also recommend you to read my other posts in my blog at this link.

If you need help with anything join the community or do not hesitate to contact me.

Best of luck! and follow your passion.

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